Triads
Major
Triads
A major triad can be built on
each note:
C
|
C♯
/ Db
|
D
|
D♯
/ Eb
|
E
|
F
|
F♯
/ Gb
|
G
|
G♯
/ Ab
|
A
|
A♯
/ Bb
|
B
|
Root
|
Major Third
|
Perfect Fifth
|
|
C
|
C
|
E
|
G
|
Root
|
Major Third
|
Perfect Fifth
|
|
Bb
|
Bb
|
D
|
F
|
Minor
Triads
Minor triads are the same as
major triads, but with the third lowered by a half step. The most common
notations are as follows:
Cm
|
Cmin
|
C−
|
Root
|
Minor third
|
Perfect Fifth
|
|
Cm
|
C
|
Eb
|
G
|
Augmented
Triads
These are the same as a major
triad, but with an augmented fifth instead of a perfect fifth. The most common
ways to notate this are as follows:
C+
|
Caug
|
Root
|
Major third
|
Augmented fifth
|
|
C+
|
C
|
E
|
G♯
|
Diminished
Triads
Diminished triads are similar to
minor triads, but with a diminished fifth instead of a perfect fifth (the minor
third is retained). The most common ways this is notated are as follows:
C°
|
Cdim
|
Cm(b5)
|
Cmin(b5)
|
C-(b5)
|
Root
|
Minor third
|
Diminished fifth
|
|
C°
|
C
|
Eb
|
Gb
|
Dominant
Triads
Dominant triads have a major
third with a perfect fifth. The seventh is minor. The most common ways this is
notated are as follows:
C7
|
Root
|
Major third
|
Fifth Seventh
|
|
C°
|
C
|
E
|
G F
|
Sevenths
A seventh chord is a triad with
an added note, which is either a major 7th above the root, a minor 7th above
the root (flatted 7th), or a diminished 7th above the root (double flatted
7th). Note that the diminished 7th note is enharmonically the same note as the
major 6th above the root of the chord.There are several different kinds of seventh chords, including major, dominant, minor, and diminished. For example, if you add the major 7th interval to your triad the resulting chord is called a major 7th, because the note you are adding to your triad is a major 7th interval above the root and the base chord is a major chord. A major chord built with the flatted 7th note above the root is known as a major-minor 7th chord, or a dominant 7th chord, or simply just a 7th chord. However, a dominant 7th chord usually refers to a chord built on the 5th note of the scale (in C major, this would be G). The G chord is the dominant (V) chord in the key of C major, therefore a G7 chord in C major is the dominant 7th, and all the notes used in this chord are diatonic to the key of C Major.
The table below shows the various kinds of 7th chords:
Major 7th
|
Minor7th
|
Augmented-Major 7th
|
(Dominant) 7th
|
Minor 7th
|
Augmented 7th
|
Half-Diminished 7th
|
Diminished 7th
|
|
Notational forms:
|
CM7
Cmaj7 CΔ7
|
Cm7
|
CΔ♯5 CΔ+
|
C7 / C7
|
Cm7
C−7
|
C+7 C7♯5
|
CØ /Cm7b5
|
C°7 / Cdim7
|
3rd
|
major
|
minor
|
major
|
major
|
minor
|
major
|
minor
|
minor
|
5th
|
perfect
|
perfect
|
augmented
|
perfect
|
perfect
|
augmented
|
diminished
|
diminished
|
7th
|
major
|
major
|
major
|
minor
|
minor
|
minor
|
minor
|
diminished
|
Example
|
C E G B
|
C Eb G Bb
|
C E G♯ B
|
C E G Bb
|
C Eb G Bb
|
C E G♯ B♭
|
C Eb Gb Bb
|
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